Category Archives: Scotland

Whisky Live Singapore – Benromach Hermitage 45%

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The danger of Whisky Live Singapore is you tease yourself with tempting drams… yet to survive, you have to resist savouring each and every one…

My first swish past the Benromach booth on day 1 was past the prime sampling stage yet left a continued very positive impression and above all – a commitment to return to the delightful Benromach 15 year in another setting.

I returned on day 2 when one of Benromach’s wood finish series joined the mix, more specifically – the Benromach Hermitage (2005/2014) 45%.

It gave the impression of:2016-11-13-benromach-hermitage

  • Nose – Light, bright, fresh crisp fruits, basil
  • Palate – Spice, wood, soft fruits
  • Finish – Bitter, dry with lots of wine tannins

The Hermitage Wood Finish is matured in first fill bourbon casks and is finished for 31 months in casks from the Hermitage Appellation d’Origine Contrôlée, in the northern Rhône region of France.

Here’s what the Benromach folks have to say…

Without water:

  • Aroma – Swirl your dram around and enjoy those scents of summer… sweet summer fruits, refreshing red apples, and zesty lemon and lime. A touch of vanilla emerges and cinnamon notes develop, underlined by a touch of peat smoke and a peppermint edge.
  • Taste – Sweet and bursting with intense fruit… succulent dark cherry and orange, sharper kiwi and gooseberry… and these combine wonderfully with creamy milk chocolate and a gentle smoky edge.

With water:

  • Aroma – Nose your dram and you may detect lime and grapefruit at first, with hints of delicious toasted malt and sweet vanilla with eucalyptus notes in the background.
  • Taste – At first it’s gently spicy, quickly followed by sweet raspberry and tangerine flavours, and hints of almonds complementing the underlying peat smoke edge. The finish is gloriously long and fruity with a hint of smoke

It would be interesting to try all three wood finishes side by side – Hermitage, Château Cissac and Sassicaia. I’ve contemplated working towards curating a special ‘wood finishes’ tasting session which go beyond the standard oloroso & PX sherry and port finishes to explore other wines and spirits affect on whisky.

While just a teaser, Benromach Hermitage was a welcome first ‘research’ step…

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Whisky Live Singapore – Benromach

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During Whisky Live Singapore, you could frequently find me loitering around the Benromach and Gordon & MacPhail booth. There is a passion behind the pursuit for quality that is infectious and admirable.

2016-11-12-benromach

For a distillery whose whiskies I’ve enjoyed whenever an opportunity arises, I have had relatively few experiences conducive to preparing tasting notes. Whisky Live Singapore was no exception.

2016-11-12-benromach-15By the time I reached the Benromach booth on day 1, I was in sampling ‘over load’ and wasn’t about to waste good whisky on an unappreciative audience. When I did manage to take a break, return to sniff, swish and spit of their collection, my scribbles were lost somewhere along the way.

What I do recall though is that the Benromach 15 year 43% stood out as being exceedingly elegant, refined and beautifully well rounded. At the time, I remember swearing to myself that one day I would acquire a bottle to revisit it properly – just on its own – then share it with our Whisky Ladies in Mumbai.

On day 2, out came the Hermitage wood finish which did manage to make it into my new whisky note pad (post coming soon!).

Interestingly, I returned to Mumbai post Whisky Live to a session in which one of our Whisky Ladies chose Benromach 10 year 100° Proof 57% above all other options from her recent trip to Scotland.

Clearly I am not alone in appreciating what Benromach has to offer!

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Whisky Live Singapore – Bruichladdich Black Art 4.1

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One of the special treats from Whisky Live Singapore was an opportunity to sample whiskies I could otherwise never try.

One of the highlights was the Bruichladdich booth with many delights… the pinnacle of which was the mysterious marvel from Master Distiller Jim McEwan otherwise known as ‘Black Art’. The thinking behind this bewitching series is the alchemy of art and science, a secret recipe concocted by the master distiller, without divulging the magic behind the art.

Photo: Bruichladdich.com

Photo: Bruichladdich.com

Bruichladdich Black Art 4.1 23 year (1990) 49.2%

  • Nose – Honey sweet, warm sunshine citrus and much more…
  • Palate – Gorgeous, very well rounded, stunning, smooth as silk
  • Finish – Beautiful ripe fruit sherry finish

This was not a bold brash Bruichladdich but instead a something that contradictorily was both a soft, delicate delight, beyond beautiful while equally being rich, deep and sinfully smooth.

I must confess, my wee nip did not do it justice. This is not the whisky you want to ‘speed date‘. This is the kind of whisky you want to savour and enjoy, either solo or sharing with friends.

Here is what they say:

  • Nose – The aromas rise and mingle beautifully creating an olfactory symphony in your hand. Little notes of rich, plump, crystallised grapes flirt over heavier notes of honey. Go deeper and you will find the tang of lemon and lime – This is the DNA of our Bruichladdich spirit; the terroir of ancient peat lands and Islay’s exposed coastline, living, breathing proof that magic really does exist.
  • Palate – Without water the first thought that enters my head is wow! This is strong and my cheeks flush, my eyes water but my heart is in heaven. Its so, so mellow and mature and yes, you can find all of the aromatics on the taste buds and more!!! I get chocolate and coconut, tangerine and papaya and a wonderful infusion of barley sugar with a pinch of cinnamon and aniseed. Completely mesmerising.
  • Finish – Grilled peach and apricot sprinkled with demerera sugar, quite outstanding.
  • Mood – Drink whenever you wish, with whomever you wish. The last to leave will be the angels who danced with the devil and won.

PS I had a wee ‘sneak peak’ sip of the Black Arts 5.1 – What a stunner! Full of dry, fruit that became juicier the longer one sipped, a burst of rich fall colours and closed on a dry spice. For me, 4.1 was summer and 5.1 autumn. Both remarkable whiskies and a treat to taste – even if just a sweet nip!

A few other Bruichladdich whiskies sampled include:

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Tomatin 12 year 43%

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Tomatin is one distillery we’ve inadequately explored… hence why it was an obvious choice for my June 2016 Canadian sample score!

Some may not be aware that Tomatin was one of the top 10 distilleries in Scotland… with much of its production going into blends like Antiquity. At one point in the 1970s Tomatin’s 23 stills producing 12 million litres of alcohol. By any standard, that is a prodigious amount of whisky!

However, it fell on hard times, went into liquidation and in 1986 became the first Scottish distillery to be owned by a Japanese company – Takara Shuzo Co. and Okara & Co.

The Tomatin 12 year was first launched in 2004, followed by further age statements – 15, 18, 21, 25 and more. It has since been joined in 2010 by a peated line now branded as ‘Cu Bocan.’ More recently a no age statement ‘Legacy‘ has joined the core range.

Tomatin 12

Here’s what I found with my sample…

Tomatin 12 year 43%

  • Nose – Definitely some sherry in there… stewed prunes, quite malty, perhaps a bit of subdued dried ginger, slightly nutty… as it continued to open found raw apple with a dash of cinnamon
  • Palate – Takes some getting used to… very dry, bit of charcoal, woody, yet with a sweetish element underneath, not fudge but close like a fruit and nut chocolate bar with a slightly burnt quality, then a musty mildew, fungus or mushrooms, again nutty and something else that couldn’t be quite pinpointed
  • Finish – No rough edges, sweet carrying forward the malt and wood, surprisingly longer than anticipated

This was one of those whiskies that I wanted to like, but struggled… Not terribly complex, nothing specifically wrong but was as though the sherry finish was ‘pushy’ or ‘forced’, being used to soak up or disguise the base whisky.

It sounds terribly uncharitable and so I decided to go back to it again and give it another chance – this time with company after we sampled the Tomatin Legacy.

In comparison, it was a treat to have a more mature avatar of the Tomatin. Everything in the Legacy more accentuated and richer.

And that key element I just couldn’t quite place? Ginseng!

Here’s what the folks at Tomatin have to say:

The Tomatin 12 Year Old is smooth and silky, having been matured in traditional Scotch Whisky, ex-Bourbon and ex-Spanish Sherry casks. A rich, fruity aroma is the prelude to sweet flavours of ripe apples, pears and a subtle hint of nut before the long, pleasantly oily finish. 

Thanks to a recent gift, I had Jim Murray’s Whisky Bible 2016 on hand… curious looked at the rating… 91.5/100?!

However… when you read further, pay attention to his wood comment:

For a great many years, Tomatin operated under severe financial restrictions. This meant that some of the wood brought to the distillery during this period was hardly of top-notch quality. This has made life difficult for those charged with moulding the stocks into workable expressions. 

That rang exceedingly true. And yes, good effort with this whisky but still not quite to my picky preferences…

Next up from the “I don’t collect stamps!” whisky collection:

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Winnipeg stash – Pure Malt 21, Bowmore 12, Macallan 15, Tomatin 12

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It is finally time to sit down before the year comes to a close and share tasting notes from whiskies acquired from the 2016 Winnipeg stash. These four come from a friend’s whisky collection – in his own words “I don’t collect stamps.”

Pure Malt 21, Bowmore 12, Macallan 15, Tomatin 12

Naturally I selected an eclectic range of whiskies not yet sampled…

I then added to this mix, a score from Winnipeg’s Cabinet:

Curious about the 2015 Canadian sampling ‘score’? Read more here…

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Ghosted Reserve 21 year (2nd edition) 48.2%

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The Ghosted Reserve 21 year was the inspiration for the evening of blends and mystery malts. We tried the 2nd release which features spirits from three closed Lowland distilleries – Ladyburn, Inverleven and Dumbarton.

ghosted-reserve

Ghosted Reserve 21 year 42.8% Bottle No 89

  • Nose: Very pronounced coconut oil! Lots of bananas, pineapple, some beautiful floral notes, then fully back to the tropics then shifting to more citrus fruits. It reminded us of Malibu coconut rum and piña coladas!
  • Palate: Wow! We lost all the rum and instead found a light delightful desert drink, a wonderful oiliness, terrific mouthfeel, lots of dried desiccated sweet coconut, then hints of pepper peaking out, fruits still there – juicy and tropical
  • Finish: The most disappointing element as it was too subtle… after such a distinctive nose and quite delicious initial flavours it somehow drifted away

It actually reminded me a bit of the Nikka Coffey Grain or Compass Box Hedonism, with the grain elements quite pronounced – in a good way. Wonderfully tropical with coconut the consistent element. For one, this was his first encounter with such a whisky style.

Here’s what the chaps over at Master of Malt have to say:

  • Nose: Orange and lime peels, with a hint of orchard blossom developing later on. Hints of toffee and raisins.
  • Palate: Another helping of orange peels on the palate, joined by banana and sharp tropical fruit. A touch of peppery malt.
  • Finish: Floral on the finish, with a slight nod towards milk chocolate buttons.

For those curious about the distilleries, here is a synopsis about the trio of lost Lowland distilleries.

Ladyburn (Lowland), William Grant and Sons (1966-1975)

  • Ladyburn distillery was actually two sets of stills in the same complex as Girvan, a grain distillery.
  • While intended to supply malt whisky for the Grant blends, it was operational for less than a decade.
  • One can find a few rare bottles of Ladyburn whisky bottled under the name Ayrshire, named after the area where Girvan is located.

Inverleven (Lowland) (1938 – 1991) & Dumbarton (Lowland) (1938-2002) William Grant & Sons

  • Located on the border between the Highlands and Lowlands, Inverleven and Dumbarton shared a distillery with a column still for production of grain whisky (Dumbarton) and two pot stills for malt (Inverleven).
  • Once upon a time, Dumbarton was Scotland’s largest grain distillery, drawing water from Loch Lomand (not to be confused with the Loch Lomand distillery) of which a Lomand still was introduced from 1959.
  • Inverleven was intended to provide whisky for blending, however blenders never took to the Lomond spirit.
  • While the Dumbarton complex was mothballed in 2002, the equipment from Inverleven has gained new life at the Lochindaal distillery opened by Bruichladdich at Port Charlotte.

In addition to the Ghosted Reserve, our mystery malts and vatted blends evening featured:

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Berrys’ Islay Reserve 46%

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After experimenting with Berrys’ Speyside Reserve, we moved on to the Islay avatar.

berrys-islay

Here’s what our Bombay Malt & Cigar club found:

  • Nose: Peaty oily and quite earthy. Old leather. Buttery. Becoming quite sweet. Sunshine citrus yet restrained.
  • Palate: Smoke yet very smooth. Very sweet. Slight spice kick at the back of the throat. The peat while very much present is subtle and joined by slight cinnamon.
  • Finish: Soft spice that mellows out.

Here’s what the chaps over at Master of Malt have to say:

  • Nose: Coastal iodine notes, tarry rope, yuzu, wisps of peat smoke and starfruit.
  • Palate: As is often the case, it’s on the palate that the peat smoke some truly makes itself known, circling sweet golden barley, dried apricot and vanilla.
  • Finish: Lingering peat smoke and sea air.
  • Overall: Islay-ey.

For most, this was distinctly Islay in character and much more along the lines of what we’ve come to expect. And yet the Islay did not pair quite so well with our fancy expensive cigar… pity.

What else did we sample that evening?

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Berrys’ Speyside Reserve 46%

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A complete departure was exploring less expensive (yet still elusive and somewhat exclusive) blends and mystery malts… We kicked off our evening with a Speyside from Berrys’….

berrys-speyside-reserve

Here’s what our Bombay Malt & Cigar club found:

  • Nose: Sour cherries that then sweetened into maraschino cherries dipped in chocolate. A little sulfur, ash smoke. Also a bit sharp with a citrus tang of orange peel. One recalled orange ‘Acqua di Parma’. Then a mustiness joined the tart sweetness. Shifting back again to bitter chocolate.
  • Palate: 1st sip of our evening and came across as a bit harsh – almost as though cask strength? Quite sharp. Once past the initial punch, a sense of sherry popped out. Glengoyne was mentioned…
  • Finish: Bitter berries, quite dry, like amla (Indian gooseberries)
  • Water: Needs it! Helped reduce the harshness and brought it to a more accessible level

This was one whisky where it seemed impossible it was only 46%. There was a real kick, much like what one tends to find in higher alcohol strengths. There were several remarks like:

  • “OK! My mouth is totally disinfected now!”
  • “Well that cleared my palate and sinuses alright! Did it singe my nostril hairs too?”

Did we like it? Mixed response…

However as the evening progressed, we found it was more approachable after sampling other drams and went well with the cigar.

What was the trio sampled?

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Whisky Archives – Oban 14 year, Deanston 12 year, The Six Isles and Yellow Spot

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Another from the archives… from June 2013 and my 1st whisky post on EverydayAsia. Hope you enjoy!

Tasting Notes from 20 June 2013

Following our standard format, we blind tasted before revealing the whisky. This month featured: Oban 14 year, Deanston 12 year, The Six Isles and Yellow Spot.

“Oh us fortunate few! What an evening it was!”

Oban 14 year – Golden amber colour. A light fruity sweet nose. Unexpectedly oily, chewy body with a spicy bite yet smooth. Short finish. Felt familiar, nice yet not exceptional.

Oban 14 year (photo: Carissa Hickling)

Deanston 12 year – A little ‘extra’ brought out by our host for those who missed trying it in an earlier meeting. Nuanced nose with over ripe fruit, sweet and spicy on the palate, lovely finish with a hint of spice that slowly dissipated. Delightful!

Deanston (Photo: Carissa Hickling)

The Six Isles – A vatted malt with single malts from the Scottish Islands: Islay, Jura, Mull, Arran, Skye and Orkney, this one kept us guessing! Quite peaty on the nose with hints of spice and other elements. Burnt ash, rich, oily on the palate yet with only a drop or two of water transformed into an exquisite smooth sweet whisky that would even pair well with desert. A lovely mellow finish. What a wonderful surprise!

The Six Isles (Photo: Carissa Hickling)

Yellow Spot 12 year – From Ireland, a single pot still Irish whisky produced for Mitchell & Son of Dublin, matured in bourbon, sherry and Malaga casks. The nose was fresh and sweet with hints of a complexity to come. On the palate, initially a blend of sea salt and honey, it rounded out with chocolate to fruit, supported by a woody robustness. The finish was particularly superb! Complex, with a gorgeous flavour that lingered…

It has garnered some very well deserved praise from Jim Murray (and us)! An exceptional whisky that hit all our favourite counts for a wonderful malt.

Yellow Spot (Photo: Carissa Hickling)

Any different opinions? Any recommendations along the lines of Yellow Spot?

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Ardbeg Supernova 55% (2014)

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Ardbeg is known for an experiment or two. From sending whisky molecules into space to pushing the boundaries of peat in whisky, the folks over at Ardbeg are determined this distillery will not disappear anytime soon!

Their Supernova releases are intended to be the peatiest Ardbeg ever… Now with 5 editions, the 2014 avatar currently retails for over $400.

Thanks to the Winnipeg Cabinet lads, I not only enjoyed  a fabulous “peat” evening, I also walked out with a wee dram of this Ardbeg Supernova! (Pssst – you can read their review here which featured a new & old 10 year Ardbeg, Supernova & Amrut.)

Ardbeg Supernova

This puppy cranks the peat up from 55 ppm to 100 ppm, so without even opening or taking a whiff, I knew this was going to have serious peat.

Ardbeg Supernova 55%

  • Nose – As expected – powerful peat! Carbon. Yet also decidedly sweet, pine, minty herbal element, a whack of spice, zing of citrus, bit briney… yet never loosing that charred pettiness
  • Palate – Peat, char, burn, crazy bitter chocolate, dark cherry, you could chomp and chew on this one!
  • Finish – Long, bitter and dry ash…. those peaty fires kept smouldering
  • Water – Had to try… a bit more accessible yet still…

This is no shy retiring young miss. No siree! As promised, it is big, bold and full-on peat. While it is quite assertive, it isn’t harsh – a plus point.

However I found myself reaching out for a dry cracker and gave it some time.

More importantly, as a whisky, did it work?

Hmm… While interesting, the elements simply did not come together for me. Even with a few drops of water, there was something just a wee bit off-balance about this one.

It is a novelty item not an every day dram. While I’m glad I had a chance to try it (and not pay for it), I honestly would reach for other peaty drams before this one.

Here’s what the folks at Ardbeg have to say (from Whisky Exchange website):

  • Aroma: Intense zestiness of smoked lemons and pears, lemongrass and pine needles, embedded in a deep, resinuous, sticky waxy base.
  • Taste: Distinctively peppery, spicy and electric. Powerful peppermint, antiseptic lozenges and other familiar, medicinal tones. Dark, dark birch tar intermingles with spicy-sweet chilli flavoured chocolate, while the entire mouth and palate are coated in luscious linseed oil.
  • Finish: Rich flavours of tar, creosote, briar wood, spicy tobacco and liquorice root.

PS I recently pulled out the last few drops of the Ardbeg Supernova next to Bruichladdich’s Octomore with a peaty lady asking which she would like to help me polish off. Without hesitation she went straight to the Octomore – which has even higher peat levels than the Supernova yet better balance and somehow more accessible and hence also enjoyable.

Other Ardbeg‘s sampled include:

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